Anthem Spotlight: The King of Glory-4.10.25

During the Baroque period in music (1600–1750), which followed somewhat after the Protestant Reformation, composers became less interested in writing Masses for the Roman Catholic Church and began composing smaller works based on biblical texts. These works became known as cantatas, a word derived from the Italian meaning “sung.” This style of writing has continued into the present day.

Joseph Martin is one of the most prolific cantata composers in the United States. He follows a format shared by many of his contemporaries: scriptural readings enhanced by musical selections in a variety of styles. These works are often centered around themes of Christmas and Easter. Our anthem for Sunday, The King of Glory, is an excerpt from a larger work by Martin titled Who Is This King? It tells the story of Jesus’ ministry on earth, his triumphal entrance into Jerusalem, and the tragic events that followed—culminating in his death and resurrection.

Martin draws his texts from Psalm 24 and Theodulph of Orleans. His melodic themes are both original and drawn from a Hebrew melody—Leoni. The opening section is full of excitement and is quite march-like. You can feel the movement of a royal procession, acknowledging Christ as the “Lord of Hosts.” The mid-section features the familiar words of Theodulph—All glory, laud, and honor—set to the Hebrew melody, which was historically used in synagogues. This reminds us that Jesus was born of Jewish heritage. As the piece nears its conclusion, the opening theme returns. This time, the lower voices carry a strong, march-like rhythm, while the upper voices reprise the opening melody and text. The excitement builds until the final, powerful declaration: He is the King of Glory!

This year, Passover begins on the night before Palm Sunday. Historically, the events of Holy Week occurred during the Passover festival, making this an especially fitting choral work to begin a solemn and sacred week.